TITLE: TUSK TUSK

Tusk Tusk by Polly Stenham

Co-produced with Sydney Theatre Company

Come on troops. Let's take check: Finnbar, slightly ruffled but still in fighting form. Maggie, could do with a full night's sleep but otherwise all in order... Stay here. Don't answer the door.

Eliot, 15 years
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TITLE: RIO SAKI AND OTHER FALLING DEBRIS

Rio Saki and Other Falling Debris by Shaun Charles

Are you afraid to die alone? I am. I am a single female looking for somebody to share the last moments on earth with. Somebody to talk to, laugh with, hold, and cry. I’m seeking a lover till the end. Will you be there with me? contact Hannie.

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TITLE: DESIREE DIN AND THE RED FOREST

Desiree Din and the Red Forest by Maxine Mellor

Desiree Din is the point five of the 2.5 kids in a nuclear family. Small, strange and the last in line for everything, Desiree retreats to her dollhouse in the red forest. The problem is that Desiree is forgetting her own family. Her brother and sister are in danger. A massive family duty rests on Desiree’s small, uncertain shoulders.

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TITLE: WAREHOUSE PRODUCTION: WHO THE HELL ARE YOU?! THE STRANGERS PROJECT

Who The Hell Are You!? The Strangers Project

atyp’s international collaboration project! Working alongside youth theatre companies from Wales, Hong Kong and New Zealand this show is based around the notion of strangers, as well as asking the question of "who the hell are you?!"

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TITLE: BRONTё

Brontё by Polly Teale

Brontё is a a play that transcends time and space to explore the lives both real and imagined of the Brontё sisters. What inspired them to follow their passion in a world where their talent and ambition was so firmly discouraged? A play that questions what it means to succeed. That challenges us to see the power of the imagination and encourages us to escape into the world of Charlotte, Emily & Anne; three of the most read authors in the English language.

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TITLE: ALASKA

atyp Under the Wharf, Raw Hide 
and Eliza Ocaña present: ALASKA by D C Moore

DC Moore’s confronting first play premiered at the Royal Court, London, in 2007.

Frank barely tolerates his job in a cinema kiosk.   But when Mamta joins the staff and quickly becomes his boss – Frank is not pleased. How can a Paki tell him what to do?
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