is a writer, actor and Yuwaalaraay woman based in Sydney. She is the recipient of the 2025 Belnaves Fellowship with the Belvoir St Theatre, which has long been recognised as one of the most prestigious playwriting awards in Australia. Her debut mainstage play DON’T ASK WHAT THE BIRD LOOK LIKE premiered at Queensland Theatre in 2023 and was shortlisted for the 2024 NSW Premier’s Literary Awards.

is a Kalkadoon woman but born on Arrante country and grew up in Western Australia. In 2008 she graduated from the Aboriginal Theatre Course at WAPA. Since moving to Sydney, she has worked with the Bell Shakespeare Company, touring their educational program, The Players. In recent years Abbie-Lee has begun to develop a passion for directing and theatre making.

has been Resident Dramaturg at ATYP since 2017, and has been a dramaturg for 30 years. She has worked for STC, Ensemble, Royal Court London, Playwriting Australia, ANPC and Playworks. She worked for 15 years as a Mentor with Year 12 students on HSC creative writing projects. Jane is passionate about nurturing the craft and confidence of emerging writers, dramaturgs and artists.

is an actor whose stage work includes ATYP’s Saplings (2024) and CUSP (2019–20), Brown’s Mart’s Mr Takahashi (2016) and The Messenger (2022), Corrugated Iron Youth Arts’ Lord of the Flies (2018) and Big Dog Salad’s Under the Table (2022). Screen credits include Rite of Passage (2018) for Global Headquarters and Firebite (2021) for Screen Australia. Nyasha is currently training at NIDA (2023–25).

is a Gamilaroi artist born on Bediagal land in Sydney. She has appeared on stage with ATYP in Saplings (2024) and Charlie Pilgrim (or a Beginner’s Guide to Time Travel) (2018), and with Moogahlin Performing Arts as part of the Yellamundie Festival of New Works. On screen, she features in the ABC drama Total Control (2024).

is a proud Wiradjuri man, award-winning director, producer, and arts leader. Holding an MFA in Directing from NIDA, Ryan has collaborated with prominent companies such as STC, Darlinghurst Theatre Company, Moogahlin Performing Arts, Opera Australia, Art Gallery of NSW and NAISDA Dance College. Career highlights include: Director for Fidelio (Opera Australia development), Dramaturg for The Visitors (STC); as a Producer, Ryan has earned 2 Imagine awards.

is a designer whose work with ATYP includes Saplings (2024) and Shack (2022), and with New Ghosts Theatre Company on Iphigenia in Splott (2021). As costume designer for Hayes Theatre Co’s A Little Night Music (2023), Red Line Productions’ The Chairs (2023) and Seymour Centre’s The Turn of the Screw (2023). She holds a BFA from NIDA and received a 2023 Sydney Theatre Award nomination for Best Independent Costume Design.

is a lighting & video designer whose work spans theatre and opera. Recent credits: August: Osage County (Belvoir/Black Swan), Dido & Aeneas (Pinchgut Opera), The Queen’s Nanny, Suddenly Last Summer and Clyde’s (Ensemble), The Barber of Seville (OA), Turn of the Screw (Hayes), Girls in Boys Cars (NTofP) and Saplings and Shack (ATYP). A NIDA graduate, Morgan has received multiple APDG and Sydney Theatre Awards recognitions.

is a Wiradjuri musician, producer and visual artist behind the Indigenous streetwear label Sacred Era. A Deadly Award–winning hip-hop artist, he has performed alongside leading First Nations musicians and opened for major local and international acts, while delivering workshops for Indigenous youth. His credits include ATYP’s Saplings (2024) and Moogahlin Performing Arts’ Yellamundie Festival (2023) and Cutter & Coot (2022).

is an actor, Fight Director and movement creative having studied extensively in a range of martial and movement practices. He is the current President of the Society of Australian Fight Directors Incorporated (SAFDi). As Fight Director, he has worked with companies including: Hayes Theatre Company, Sydney Theatre Company, Griffin, The Ensemble, ATYP and Bell Shakespeare.